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That is the reason why I started doing so much of homework. When I ask others to invest, I had to be damn sure. I wouldn't invest in films unless I am very sure. So to make a film, even a short film, without preparing is something I can't even imagine. I am from a middle-class family and for us, money was such a big thing. That was the time I learned about the three-act structure. I locked myself for one-and-a-half years, started watching movies, reading scripts and watching tutorials. And then I started following screenwriting Web sites like BAFTA tutorials. That is when I started reading basic books such as Save the Cat ( by Blake Snyder). I thought maybe I didn't have the experience, so perhaps the film-maker was right.Īfter the short film was edited and I saw it, it was absolutely as I imagined. I asked the filmmaker, 'Don't you think the performances are a little exaggerated?' But he insisted it was fine.
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I could sense it, but I didn't know how to explain it in a technical way. On the set, I could see that the film-making process was not up to the mark. I was always fascinated with cinema, so I requested if I could visit the set. The clients would come to us and say they needed ads but they only had budgets of Rs 8,000 per project. They were very bad quality advertisements because I worked in Mangalore, which is a small town.
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When I started my professional life, I was an RJ and then I worked in advertising. IMAGE: Raj B Shetty and Rishab Shetty in Garuda Gamana Vrishabha Vahana.
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I tried to devise something which was new to me as a film-maker so that is the reason maybe this film turned out to be completely different than Ondu Motteya Kathe. But when I started writing, I didn't use any of the writing tools. I had to devise a way to work because I didn't have any experience.Īfter that, I knew that as a team, we were capable of doing better stuff.īut in Garuda Gamana Vrishabha Vahana the challenge was to do something that we didn't know about.īy then I knew about the three-act structure, which guides the story. Ondu Motteya Kathe was the first time I had visited a film set as a director. I was forced to write that film in a way which was very simple. I created the setup with the budget constraints. The character was very shy and soft spoken. When I made Ondu Motteya Kathe, it was about a guy, his complexities and insecurities. When a film-maker chooses a subject, he should be very honest and sincere about it. I think there is no difference between the quality. How do you move from that soft, sweet story about a man dealing with premature balding to such a gripping thriller? Raj, it is really impressive that you made two films, one so sweet and lovable, and then a brutal gangster tale. IMAGE: Rishab Shetty as Hari and Raj B Shetty in Garuda Gamana Vrishabha Vahana. I wouldn't invest in films unless I am very sure," Raj B Shetty tells Senior Contributor Aseem Chhabra. "I am from a middle class family and for us, money was such a big thing.
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Bollywood has a lot to learn from Shetty's film-making. The film captures the local essence of Mangalore, from kids playing cricket to the Pili Vesha (tiger dance) performed during Dussehra.Īs a mainstream film, it is thoroughly entertaining and technically far superior to thrillers in other Indian languages. Stunningly shot and edited by Shetty's friend Praveen Shriyan and scored by Midun Mukandan, GGVV is one of the best Indian films of 2021. The third character in the trimurti is Brammayya (or Brahma in the Hindu mythology), a cop played by Gopal Deshpande, who is sent to control and hopefully, end the terror reign of Shiva and Hari. The two represent the Hindu mythological characters, Mahesh (Shiva) and Vishnu (Hari). GGVV is an intense film, brilliantly acted with Shetty playing Shiva and Rishab Shetty as Hari.